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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Professor Peter Doherty

The Changing Face of the Scientist

Magazine article by Elizabeth Finlay, 2003

Scientists tend to conjure up images of men in white coats in labs but this is just one stereotype in an evolving history of how we have perceived scientists, and how their profession has been understood over the years.

Jaynie Anderson

Sitter still

Magazine article by Emeritus Professor Jaynie Anderson AM, 2015

Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.

[Self-portrait], 1996

Reveries

Magazine article by Helen Ennis, 2007

The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.

"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

Magazine article by Paul Moorhouse, 2007

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

Mural of Italian/Roman actress Anna Magnani (1908­–1973) with face mask, April 2020 Unknown artist

Of plague and portraits

About Face article

Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.

Anne-Louise Lambert as Miranda Courtesy Picnic Productions

Rock star

Magazine article by Jennifer Coombes, 2018

Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film. 

Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Marian Anderson, contralto, New York, June 30, 1955 Richard Avedon

The right note

Magazine article by Leslie Ureña, 2020

Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.

Ms Anna Burke MP, Speaker of the House of Representatives 2015 by Jude Rae

Hired guns, bounty hunters and horse whisperers

Magazine article by Jude Rae, 2016

Jude Rae contemplates the portrait commission.

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Revd Dr Robert Walker Skating on Duddingston Loch, c.1795 by Sir Henry Raeburn

Great Scots

Magazine article by Diana O'Neil, 2017

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

Sir Charles Lloyd Jones

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Forest Creek, Mount Alexander Diggings, 1852 by S. T. Gill

The Rothschilds, the Montefiores, and the Victorian Gold Rush

About Face article

Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.

image not online

Portrait Donors

Listed by year
Honour board
Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency